Otros libros y catálogos

Picasso called Dalí "an outboard motor that’s always running." Dalí thought himself a genius with a right to indulge in whatever lunacy popped into his head. Painter, sculptor, writer, and filmmaker, Salvador Dalí (1904-1989) was one of the century’s greatest exhibitionists and eccentrics—and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting, approaching the subconscious with extraordinary sensitivity and imagination.

Painter, sculptor, writer, film-maker, and all-round showman Salvador Dalí (1904–1989) was one of the twentieth century’s greatest exhibitionists and eccentrics. One of the first artists to apply the insights of Freudian psychoanalysis to art, he is celebrated in particular for his surrealist practice, with such conceits as the soft watches or the lobster telephone, now hallmarks of the surrealist enterprise, and of modernism in general.

Cult classic and collector’s item, Dali’s Mustache is the result of the astonishing artistic collaboration between surrealist Salvador Dalí and experimental photography pioneer Philippe Halsman. Dalí and Halsman were friends as well as professional collaborators for more than three decades.  

DIARY OF A GENIUS stands as one of the seminal texts of Surrealism, revealing the most astonishing and intimate workings of the mind of Salvador Dalí, the eccentric polymath genius who became the living embodiment of the 20th century's most intensely subversive, disturbing and influential art movement.

“Les dîners de Gala is uniquely devoted to the pleasures of taste … If you are a disciple of one of those calorie-counters who turn the joys of eating into a form of punishment, close this book at once; it is too lively, too aggressive, and far too impertinent for you.”—Salvador Dalí

Painter, designer, and filmmaker Salvador Dalí (1904–1989) was one of the most colorful and controversial figures in 20th-century art. A pioneer of Surrealism, he was both praised and reviled for the subconscious imagery he projected into his paintings, which he sometimes referred to as "hand-painted dream photographs."